A Brief Colonial History Of Ceylon(SriLanka)
Sri Lanka: One Island Two Nations
A Brief Colonial History Of Ceylon(SriLanka)
Sri Lanka: One Island Two Nations
(Full Story)
Search This Blog
Back to 500BC.
==========================
Thiranjala Weerasinghe sj.- One Island Two Nations
?????????????????????????????????????????????????Tuesday, February 9, 2016
Shrillness of Nonsensical Cultural Politics and the Social History of a Song

- by Prof Sasanka Perera
- - on 02/08/2016
The latest news from Sri Lanka’s often bizarre domains of cultural
politics is that Buddhism is under threat along with Sinhala culture.
This however, is not due to the corrupt and violent politics that still
remain the hallmark of the country’s mainstream politics or because of
the unethical and anti-doctrinal work of marauding Buddhist monks who
have become storm troopers causing bodily harm to people, disrupting
court proceedings and vehicular traffic in the country putting Hitler’s
dreaded Brown-shirts to shame. The apocalypse of Sinhala culture and
the island’s Buddhism is supposed to happen as a result of Soprano
Kishani Jayasinghe’s masterful rendition of the well-known Sinhala
song, Danno Budunge within an operatic sensibility in a cultural program organized to mark the 68thanniversary
of the country’s independence. Personally, I am thankful to the
organizers of the event for attempting to do something out of the
ordinary.
But going by the attacks on Jayasinghe orchestrated by sections of the mainstream media (see for example, the undignified assault by Derana TV)
and the multitude of comments from unenlightened swaths of the social
media, the doomsters’ main concern is that that Jayasinghe’s new
rendition has insulted both Buddhism and Sinhala culture as they
perceive these, and this act alone would bring the house that ‘Vijaya’
built, crashing down. Interestingly however, she also sang at the same
event — in the same kind of musical sensibility — the old folk verse (paru kavi), “Matara gange inna kimbulige petiya”.
That however, has by and large escaped the scorn and anger of
doomsters. One can assume this is because the latter has no reference to
Buddhism while the former has. Musically speaking, both were good
examples for specific genres of songs which can be successfully
reinterpreted within the parameters of an entirely different genre, if
one was competent enough to know what to do.
