First, the colours

First, the colours

Photo courtesy Tamil Guardian

Groundviews

Channa Wickremesekera-24 Jul, 2013

First, the colours. My memories of July are full of dark colours, foreboding and angry. Grey dominates. Grey, the colour of the smoke that is everywhere, even in your tears. Then there is red, bright and angry, the colour of blood, like a crimson spray on the grey smoke. Lastly there is the orange of the flames, fiery and frantic, lapping up the blood and the groans of collapsing masonry, before disappearing into the smoke. Dark and sharp colours that daub the memories of the horror.

Then the crowds.  I remember they were mostly young men, with crowbars and clubs. Knives too there may have been but the crowbars I remember well. Crowds of young men roaming High Level Road, gathering around the shops owned by Tamils. I also remember the crowds watching, some cheering, some puzzled but none intervening. Then came the flames, roaring and raging, enveloping the two grocery stores near the Kirulapona bus stand. And as the flames rage some men are seen washing the Sinhalese owned store next door with buckets of water. Men as eager as the men with the crowbars. Through the throngs of people a man is running, his white shirt and sarong drenched in blood. And the air begins to choke with smoke.                                         Continue reading »

A card

Click here for a larger version.

Groundviews

Shanika Perera-23 Jul, 2013

Editors note: The creator of this card is part of a project, curated by Groundviews, that brings together leading documentary filmmakers, photographers, activists, theorists and designers, in Sri Lanka and abroad, to focus on just how deeply the anti-Tamil pogrom in 1983 has shaped our imagination, lives, society and polity.

The resulting content, featuring voices never captured before, marrying  rich photography, video, audio and visual design with constitutional theory, story-telling and memorialising, has no historical precedent.

The project is an attempt to use digital media and compelling design to remember the inconvenient, and in no small way, acts of daring, courage and resistance during and after Black July.

Read more here.