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?????????????????????????????????????????????????Friday, July 21, 2017
The Passion of Liu Xiaobo
Liu Xiaobo, mid-2000s
Liu Xiaobo, from the last video that was taken of him, December, 2008
In the late 1960s Mao Zedong, China’s Great Helmsman, encouraged
children and adolescents to confront their teachers and parents, root
out “cow ghosts and snake spirits,” and otherwise “make revolution.” In
practice, this meant closing China’s schools. In the decades since, many
have decried a generation’s loss of education.
Liu Xiaobo, the 2010 Nobel Peace Prize laureate who was sentenced to
eleven years for “inciting subversion” of China’s government, and who
died of liver cancer on Thursday, illustrates a different pattern. Liu,
born in 1955, was eleven when the schools closed, but he read books
anyway, wherever he could find them. With no teachers to tell him what
the government wanted him to think about what he read, he began to think
for himself—and he loved it. Mao had inadvertently taught him a lesson
that ran directly counter to Mao’s own goal of converting children into
“little red soldiers.”
But this experience only partly explains Liu’s stout independence. It
also seems to have been an inborn trait. If there is a gene for
bluntness, Liu likely had it. In the 1980s, while still a graduate
student in Chinese literature, he was already known as a “black horse”
for denouncing nearly every contemporary Chinese writer: the literary
star Wang Meng was politically slippery; “roots-seeking” writers like
Han Shaogong were excessively romantic about the value of China’s
traditions; even speak-for-the-people heroes like Liu Binyan were too
ready to pin hopes on “liberal” Communist leaders like Hu Yaobang. No
one was independent enough. “I can sum up what’s wrong with Chinese
writers in one sentence,” Liu Xiaobo wrote in 1986. “They can’t write
creatively themselves—they simply don’t have the ability—because their
very lives don’t belong to them.”
He carried his candor with him when he went abroad. At a conference on
Chinese film at the University of Oslo in 1988, he was surprised to
learn that European Sinologists couldn’t speak Chinese (they only read
it) and were far too naïve in accepting Chinese government statements at
face value. “Ninety-eight percent are useless,” he observed (and the
conference itself was “agonizingly boring”). From Oslo he went to New
York, to Columbia University, where he found it irritating that
postcolonial theorists were telling him how it felt to be the subaltern
Other. Shouldn’t he be telling them that?
In the spring of 1989, two experiences, the first in New York and the
second in Beijing, profoundly altered the course of his thinking and his
life. He was just finishing a book, Chinese Politics and China’s Modern Intellectuals, which
explored several ways in which Western civilization can be “a tool to
critique China.” Now, though, visiting the West, he found that the model
was not so clear. Issues like the energy crisis, environmental
protection, nuclear weapons, and what he called “the addiction to
pleasure and to commercialization” were human problems, not particularly
Eastern or Western. Moreover, a visit to New York’s Metropolitan Museum
of Art had brought him an epiphany: no one had solved the spiritual
question of “the incompleteness of the individual person.” Even China’s
great modern writer Lu Xun, whose fiction was so good at revealing moral
callousness, hypocrisy, superstition, and cruelty, could not, in Liu
Xiaobo’s view, take the next step and “struggle with the dark.” Lu Xun
tried this, in his prose poems, but in the end backed off; he “could not
cope with the solitary terror of the grave” and “failed to find any
transcendental values to help him continue.”
Chinese Politics had already been sent to its publisher, but
Liu decided to add an “Epilogue” anyway, and, with characteristic
honesty, used it to undermine the book’s main theme. To be “an authentic
person,” he wrote, he would now have to “carry out two critiques
simultaneously”: one of China, still using the West as a measuring rod,
and another of the West itself, for which he would have to start over,
from scratch, and rethink everything. He finished the essay in March
1989, ending it with the words “this epilogue has exhausted me.”
The next month he boarded an airplane in New York bound for Beijing, not
from exhaustion but because he had read about the student
demonstrations for democracy in Tiananmen Square and felt a duty to
support them. “I hope,” he wrote, “that I’m not the type of person who,
standing at the doorway to hell, strikes a heroic pose and then starts
frowning with indecision.”
In Beijing, the students’ idealism moved him. He helped them to plan a
hunger strike and joined it himself. His approach was
non-confrontational, almost Gandhian. In his “June 2nd Hunger
Strike Declaration” he wrote that “a democratic society is not built on
hatred and enmity; it is built on consultation, debate, and voting…[and
on] mutual respect, tolerance, and willingness to compromise.” Less
than two days later Liu had an opportunity to put his words into
practice. As tanks began rolling toward Tiananmen Square and it was
already clear that people in their way were being killed, Liu and his
friends Zhou Duo and Hou Dejian negotiated with the attacking military
to allow students in Tiananmen Square to exit safely. It is impossible
to say how many lives they saved by this compromise, but it was
certainly dozens and maybe hundreds.
Afterward, though, Liu made what he later regarded as a “mistake” that
he rued for the rest of his life. He sought temporary safety in the home
of a foreign diplomat. He later heard that others—mostly ordinary
citizens—had stayed in the streets to help people who were wounded or
were still being shot at. They risked their own lives to offer help, and
when the government set punishments for participants in the
“counterrevolutionary riot,” these ordinary people were treated more
harshly than the student demonstrators. Many received prison sentences
of eighteen to twenty years, and some were executed. Liu himself was
sent to Qincheng Prison, an elite facility where the political opponents
of top leaders are held, and stayed only nineteen months—“deathly
bored, but that’s about it.”
Liu felt haunted by the “lost souls” of Tiananmen, the aggrieved ghosts
of students and workers alike whose ages would forever be the same as on
the night they died. He wrote that he could hear their plaintive
cries—“weak, helpless, heart-rending”—rising from beneath the earth.
Each year on the anniversary of the massacre he wrote a poem to honor
them. His “final statement” at his trial in December 2009 opens: “June
1989 has been the major turning point in my life.” In October 2010, when
his wife Liu Xia brought him the news of his Nobel Peace Prize, she
reports that he commented, “This is for the aggrieved ghosts.”
After his release from Qincheng Prison in 1991, Liu was banned from
publishing in China and fired from his teaching post at Beijing Normal
University—even though students there had always loved his lectures. He
began to support himself by writing for magazines in Hong Kong, Taiwan,
and overseas. The rise of the Internet in China in the early 2000s gave a
huge boost to circulation of his essays, not only outside China but
inside, too, as overseas friends found ways to skirt the government’s
Great Firewall and send them back into China. Before 1989, his essays
had been mostly on contemporary Chinese literature, but now he addressed
topics in history, politics, and society, revealing a rich erudition.
He also began to write poetry. The breadth of topics in his poems and
essays can be startling: Confucius, Kant, St. Augustine, farmers in
Jiangsu, Olympic athletes, humor in China and Czechoslovakia,
pornography and politics, the Internet revolution, Obama’s election, a
murdered puppy, international relations, the Dalai Lama, China’s
“economic miracle,” and much more.
Consistent with his adoption of a “no enemies” philosophy after 1989,
the fiery tone of his earlier writings now cooled. But his utter
candor—his seeming inability not to be candid—did not change.
By the middle of the 2000s, Liu Xiaobo was commonly viewed as China’s
leading dissident. In the spring of 2008, some of his friends conceived
the idea of writing a citizens’ manifesto calling for free elections and
constitutional government in China. They called it “Charter 08,”
in conscious admiration of Václav Havel and Czechoslovakia’s “Charter
77.” Liu Xiaobo did not join at first, but in the fall, when the
drafting was well underway and momentum was building, he threw his
energy into the project. He edited drafts and tried to remove needlessly
provocative language that might prevent some people from signing. He
then worked hard to solicit signatures—not only from known dissidents
but from workers, farmers, state officials, and others willing to gather
under the broad tent of asking for a more open and liberal society. The
language of the Charter is moderate. Much of it already appears in
Chinese and United Nations documents. But a few lines, like “we must
abolish the special privilege of one party to monopolize power,” clearly
did go beyond what China’s rulers could stomach.
It is clear that Liu’s work on Charter 08 led to his eleven-year prison
sentence a year later, and to his Nobel Peace Prize a year after that.
At the Nobel banquet in December 2010, a member of the selection
committee told me that her group had for years been wanting to find a
Chinese winner for their prize and that the previous year’s events “made
this finally seem the right time.” Chinese President Hu Jintao and his
Politburo were likely annoyed to realize (if ever they did) that their
imprisonment of Liu helped pave the way to his award.
It might seem puzzling that an advocate of “no enemies” who actually
worked to soften the language of the Charter should have been singled
out for punishment during the government’s crackdown. Several of Liu’s
colleagues were detained and interrogated, and had their computers
confiscated, but only Liu was sent to prison. While it is a standard
device in Communist Chinese political engineering to “kill a chicken for
the monkeys to see,” the question remains why a pacifist chicken would
be their choice.
The answer seems to be that the Charter movement was viewed as an
unauthorized “organization” of which Liu was the leader. The men who
rule China have shown in recent times that they can tolerate
tongue-lashings from the populace so long as it comes from isolated
individuals. An unauthorized organization, even if moderate, must be
crushed. In 2005 Hu Jintao issued a classified report called “Fight a
Smokeless Battle: Keep ‘Color Revolutions’ Out of China.” It said people
like Nelson Mandela, Lech Wałęsa, and Aung San Suu Kyi are dangerous.
If similar movements appear in China, Hu instructed, “the big ones”
should be arrested and “the little ones” left alone. In November 2008,
when Chinese police learned that people were signing Charter 08, it was
officially labeled an attempt to start a “color revolution.” That made
Liu Xiaobo a “big one” who needed to be brought down. There are signs
that Liu himself understood the mechanism. When he joined the Charter
effort he told his friends that, in addition to editing and gathering
signatures, he would “take responsibility” for the Charter—in effect,
risk being a “big one.”
Why Hu Jintao and his people decided on a sentence of eleven years—not
ten, twelve, or some other number—was a mystery at the time and remains
so now. Of the many guesses that have been offered, one was that eleven
years is 4,018 days and there are 4,024 Chinese characters in Charter
08. Thus: one day for every character you wrote, Mr. Liu, and we’ll
waive the final six. (This was a guess, but not a joke. That
petty-minded and highly personal kind of thinking is common in elite
Chinese politics.)
The combination of Charter 08 and a consequent Nobel Prize seemed, for a
time, to open a new alternative for China. Chinese citizens had long
been accustomed to the periodic alternations between “more liberal” and
“more conservative” tendencies in Communist rule, and had often pinned
hopes on one or another high official, but Charter 08 seemed to say that
there can be another way to be modern Chinese.
It was hard to find people who disagreed with the Charter once they read
it, and it was precisely this potential for contagion that most worried
regime leaders. That was their reason (not their stated reason but
their real one) for suppressing the Charter, for imprisoning Liu Xiaobo,
and for denouncing his Nobel Peace Prize. Their efforts have been
effective: most young Chinese today do not know who Liu Xiaobo is, and
older ones who do are well aware of the costs of saying anything about
him in public.
The controls on Chinese society have been tightened during the last few
years, under the rule of Xi Jinping—the opposite direction of what
Charter 08 called for. This raises the question, “Is the Charter dead?
Was the effort in vain?” It is difficult, but my answer would be no. The
organization has been crushed but its ideas have not been. The
government’s continuing efforts—assiduous, inveterate, nationwide, and
very costly—to repress anything that resembles the ideas of Charter 08
is evidence enough that the men who rule are quite aware of its
continuing power.
It would have been wonderful to hear Liu Xiaobo himself answer the
question. The world was not been allowed to hear one sentence from him
since his “Final Statement” at trial in 2009. In June of this year, he
was moved to a prison ward in a Shenyang hospital with late-stage liver
cancer. He asked for safe passage for himself, his wife, and his
brother-in-law to go to Germany or the US so he could receive treatment.
The Chinese government refused, saying Liu had already received the
best possible medical care and was too weak to travel. He died on July
13.
It is unclear why, in the final weeks of his life, Liu agreed to drop
his desire to remain in China despite his consistent rejection of the
marginalization that exile inevitably brings; he may have wanted to use
his last energies to help his long-suffering wife Liu Xia and her
brother Liu Hui get out of China. But his captors’ thinking could not
have been clearer: it had nothing to do with medical care and everything
to do with preventing Liu Xiaobo from speaking his mind one last time.
What were his thoughts during his eight years in prison? What did he
foresee for a world in which China’s Communist dictatorship continues to
grow?
Liu Xiaobo has been compared to Nelson Mandela, Václav Havel, and Aung
San Suu Kyi, each of whom accepted prison as the price for pursuing more
humane governance in their homelands. But Mandela, Havel, and Suu Kyi
all lived to see release from the beastly regimes that repressed them,
and Liu Xiaobo did not. Does this mean his place in history will fall
short of theirs? Is success of a movement necessary in order for its
leader to be viewed as heroic?
Perhaps. It may be useful, though, to compare Liu Xiaobo and Xi Jinping.
The two were separated in age by only two years. During Mao’s Cultural
Revolution both missed school and were banished to remote places. Xi
used the time to begin building a resume that would allow him, riding
the coattails of his elite-Communist father, to one day vie for supreme
power; Liu used the time to read on his own and learn to think for
himself. One mastered the skullduggery and sycophancy that a person
needs to rise within a closed bureaucracy; the other learned to
challenge received wisdom of every kind, keeping for himself only the
ideas that could pass the test of rigorous independent examination. For
one of them, value was measured by power and position; for the other, by
moral worth. In their final standoff, one “won,” the other “lost.” But
two hundred years from now, who will recall the names of the tyrants who
sent Mandela, Havel, and Suu Kyi to jail? Will the glint of Liu
Xiaobo’s incisive intellect be remembered, or the cardboard mediocrity
of Xi’s?